This quick blog entry deals primarily with the issue of confidence (i.e. how to become a more confident drummer), which is quite a personal thing, I suppose. You see, I was born musical, and consequently taught myself how to play my instruments: the guitar, bass, and drums. Of these, it’s the latter that I’ve gone into most detail; enough to make a career out of it.
Incidentally, I’ve always felt intimidated by those who have attended / graduated from music schools, or conservatoires. I tend to associate these musicians as being far more technically able and knowledgeable of music theory than I, which I always find daunting.
So, I wanted to focus on this little issue of mine, partly to exorcise the demons. Yet, also partly to see if any of this resonates with any of you, and perhaps helps you in any way. This is because to me this feeling of intimidation is directly linked to confidence.
Of course, on the one hand, we can become a more confident drummer by practicing more. But that’s just one way. I think it’s worth spending a bit of time to figure out what makes you different. As I’ve come to understand it first hand, being a musician these days is a more all-encompassing term. You’re more than just a player of your instrument; you’re an entrepreneur.
A good place to start in building your confidence might be to look at what other aspects, both direct and peripheral, of being an all-encompassing musician you might be good at.
Can you play other instruments, or do you sing?
This may be useful in helping you getting a gig. I, for one, treat the fact that my first instruments were the guitar and bass, as a way of making me more aware of the ‘bigger musical picture’ when I play in a band. As a result, I get told I have a “great feel” for the music, which, to me, gives me a bit of a boost to compensate for some of the more technical abilities I might not have yet perfected.
Are you a savvy business person?
A huge part of being a musician is being clever enough to make money from it. Most musicians are artists, yet lack a business sense. Whilst others are very business-oriented, yet lack some of the more artistic side. To me, balancing this is important, yet being organised and being business-minded goes a long way in terms of your longevity in the industry and as a creative.
Are you a good teacher?
Something else to have a think about is where you stand as a teacher. In my experience, every time I teach something to a student, it helps reinforce it in mind. Likewise, not all musicians are good teachers… So, if you’re a good at this, it’s something to feel good about. You can use the transferable “teacher” skills to better communicate with your band mates or clients, or perhaps help explain or clarify things for others, etc… If you’d like to learn about teaching drums, check out my drum lessons page, and get in touch! I’d be happy to help you become a great drum teacher.
Are you a great entertainer?
Again, perhaps your technical skills aren’t like Jojo Mayer, but are you a good entertainer? If you are, then use that to your advantage! Zoltan Chaney, for instance, is a great example of a very entertaining drummer whilst keeping a solid groove. Check him out below:
These are just a few thoughts, and whilst I can’t answer those questions for you, you should try to discover these things. And how can you incorporate this to your “offering”? Wear them on your sleeve; show them when you have to but don’t gloat; that’s never a good look.
Hopefully these things get you feeling like a more confident drummer. The above are very personal to me, so these may not resonate, and that’s OK! The point here is to think about yourself beyond your technical ability, given that “musician” does not equal being able to play 1,000 notes per second, although this doesn’t mean you shouldn’t strive for that either!
Don’t forget, the more skills you have, the more you can bank on. But never stop developing your craft, learning from others, and from experiences.