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Spice Up Your Fills: Applying the Augmentation Concept

Spice Up Your Fills: Applying the Augmentation Concept

This blog and free drum lesson shows you a way to spice up your fills by applying the augmentation concept.

I’m sure you’ve heard it before, you know, the whole thing about getting more out of stuff you already know? Well, it’s true! There’s so much juice you can squeeze out of things you already have in your toolbox (yes, I’ve just mixed metaphors).

If you’re not convinced by this idea, think of the licks that you already know, and how long it’s taken you to make them truly yours. They’ve been filtered through your “style filter” and personality, having practiced and played them countless times. Now think how easy it would be to change one aspect of this stuff and make it totally fresh; sounds great, right? The best part is that it will still sound like you, as you’re not reinventing the wheel.

The concept we’re going to apply here is augmentation; it’s easy to understand and apply. As the name suggests, it refers to adding something extra in order to, in this context, beef it up. So, we’re going to take a couple of linear ideas that I like, and augment them by doubling up a bass drum note. This will make them sound more “impressive”, but more importantly to help expand our phrasing.

Note that the examples in this article are a couple of phrases in my toolbox. Incorporate this idea into your own phrases, that’s the whole point here. That said, do feel free to learn the examples in the PDF, of course!

Now, allow me to be old and boring for a second here but, remember, never play something just for the sake of it. Be purposeful and make wise choices; both audiences and band mates will thank you for it.

So! Go ahead, use this free drum lesson and spice up your fills applying the augmentation concept. Download the PDF below.

If you liked this article, my new book, Concepts: A Guide to Essential Processes for the Modern Drummer is all about this. If you’re interested, please check it out and get yourself a copy HERE!

Thank you,

Nick x

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Head over to the lovely folks at Bell Percussion for all your drum gear needs and wants!

SPICE UP YOUR FILLS WITH AUGMENTATION PDF

Developing Phrasing Ideas Part 2

Developing Phrasing Ideas Part 2

Welcome to Part 2 of this free drum lesson about developing phrasing ideas using doubles on the bass drum over double strokes.

Like the exercises in Part 1, these are based on the concept of permutation, which gives us lots of practical mileage as it’s very multifunctional. If you’re unfamiliar with the concept, you can read more about it in my new book Concepts or dive deep into it with David Garibaldi’s Future Sounds.

Getting stuck in you will 

  • Create fun and interesting grooves and licks
  • Gain a deeper understanding of hand / foot interplay
  • Develop increased control of hand and foot technique, time, and general co-ordination

Let’s do this

We’ll start where we left off by mixing things up, and combine patterns together to further explore possibilities. Check out Examples 1 and 2 to give you an idea, then come up with your own.

In Examples 3 and 4 we’ll use a 32nd note rate to play the same ideas, and explore the phrasing ideas developed in the context of a groove. This will help us achieve a Steve Gadd-like vibe or, depending how you choose to orchestrate your ideas, Gospel style chops.

As usual pay attention to your time, technique, and co-ordination. Remember to start slowly (perhaps 70BPM), to get the full benefit.

If you’ve enjoyed this free drum lesson, please share with other drummers!

Thank you,

Nick x

Don’t forget

Follow me on Facebook, Instagram, Twitter for more content.

Receive £5 off your first lesson when you subscribe to my Newsletter (see the footer of the home page).

Head over to the lovely folks at Bell Percussion for all your drum gear needs and wants!

DEVELOPING PHRASING IDEAS PT.2 PDF

Developing Phrasing Ideas Part 1

Developing Phrasing Ideas Part 1

In this free drum lesson, I discuss developing phrasing ideas using “double” bass drum strokes over double strokes.

It’s a while since I last posted, so I wanted to share with you something I’ve been playing about with, which has been loads of fun (download the free PDF below).

The exercises below are based on the concept of permutation, which I’m a big fan of as I find it very multifunctional. As a result, we can squeeze lots of juice out of a simple idea in using it. If you’re not familiar with the permutation, read about it in my new book Concepts or dive deep into it with David Garibaldi’s Future Sounds.

By working through these exercises, I hope you not only come up with fun and interesting grooves and licks, but in the process, gain a deeper understanding of hand / foot interplay. Similarly, by practicing these, you’ll develop increased control of hand and foot technique, as well as your time, and general co-ordination; things I’ve benefited from in doing these.

Let’s do this

The exercise is simple; I’ve taken 16th note double strokes, and replaced two note values with bass drums, which I’ve then permuted by a 16th note at a time.

It goes without saying that you should pay attention to your time, technique, and co-ordination, starting slowly (perhaps 70BPM), to get the full benefit. Yet, spend time with each exercise to be aware of the rhythms you generate with the snare drum, bass drum, and the interplay of both.

Play these on the snare drums first, and then start exploring the exercise around the kit.

Next month, I’ll post Part II.

If you’ve enjoyed this free drum lesson, please share with other drummers!

Thank you,

Nick x

Don’t forget

Follow me on Facebook, Instagram, Twitter for more content.

Receive £5 off your first lesson when you subscribe to my Newsletter (see the footer of the home page).

Head over to the lovely folks at Bell Percussion for all your drum gear needs and wants!

DEVELOPING PHRASING IDEAS PT.1 PDF

Drum Lesson: Get More Out Of Your Triplets Part 3

Drum Lesson: Get More Out Of Your Triplets Part 3

Core Skills

Timing: You should aim to explore the accuracy of your strokes, ensuring that the rhythms are clear and performed cleanly.

Motion: Be aware of your movements! Moving these rhythms around the drum set might involve motions that you’re not used to, so take the time to understand this. Smooth motions will have a positive impact on your timing!

Fluidity and creativity: By exploring different ways of applying these triplets, you will open up new possibilities to incorporate into your fills and grooves. Mix your creative output with these triplets with eighth or sixteenth note phrases to loosen your fluidity, and spice things up.

Each example in these articles are just that: examples. Exercise your creative muscle further by coming up with your own versions. The same applies with the orchestration of each example; orchestrate as you like!

 

How To Practice These

  • Practice each example slowly, and build speed when you’ve achieved fluid quality
  • Start first on the snare drum until you’re comfortable, then orchestrate as you please
  • Turn each idea into a 4-bar phrase.
  • Also try playing 4 bars of a groove, and 4 bars of the ideas
  • Play simple time, and try using shuffle grooves
  • Create your own rhythmic variations of each example
  • Focus, and explore this in detail

Download the PDF

How to Play Drums Like Yourself

How to Play Drums Like Yourself

On the road to developing as a drummer, I think it’s important to nurture a our own drumming style as part of our musical self-expression. For me it’s ultimately our influences that shape our style. As Ralph Peterson puts it, one must imitate and assimilate what we absorb in order to innovate and arrive at our own style.

That said, I also believe it’s not just other drummers and musical preferences that influence our playing. Our wider environment, personality and other factors play as big a role. In this article, we look at how to play drums like yourself by breaking down some elements that constitute style. By the way, if you’d like to explore this topic in more detail, check out my drum lessons and get in touch!

how to play drums definition

What is style…

The Oxford Dictionary (OUP, 2013) defines style as a “particular procedure by which something is done”. The Merriam Webster Dictionary (2013), similarly, defines it as “a distinctive manner of expression”.

These definitions suggest a series of steps we must take in order to achieve something. Consequently, these steps I believe are influenced by our anatomy, minds and emotions. These will affect our groove perception, fills, feel, and technical approach.

So in the context of how to play drums, your drumming style can be personal. This is because it’s mixture of specific elements of our playing that separate it from somebody else’s (yet not necessarily everybody else’s).

… And how do I find and develop it?

In my opinion, possibly the easiest way to find your style is by simply jamming (to a song or solo) instinctively. Be mindful of what and how you play, trying not to play any too specific. Filming / recording yourself might be a good thing to try to review your performance!

Understanding how your playing differs from someone else’s begins with self-awareness. When reviewing your performance, ask yourself things like:

  • How busy is my playing?

  • How is my time in relation to the beat?

  • Am I replicating what I’m hearing in my head?

  • What are my dynamics like?

These questions can act as a good platform to dive deeper. The devil is in the detail, and that’s exactly where we start unravelling the essence of individuality; in the inconsistencies. Below are a few considerations:

Dynamics

Our dynamics make up a huge part of our style as they affect the sound and tones we’re creating. Similarly, this has a big impact on our general feel, which to me has also to do with our accent choices. An interesting thing to think about is perhaps how smooth and even are our crescendos are! To me these have a big impact in creating musical tension, so how smooth are yours?

Time

Where on the beat we play is a great tell for whether we like to push, or lay back. This really affects how we feel music, and can be very specific to the individual. Similarly, that push and pull (differences in tempo) between sections to mark different feels can be very personal.

how to play drums time

Technique

How is your technique helping you achieve what you want to play? Whilst there’s ultimately no right or wrong as long as you get the desired results, there are universal principles that will benefit your playing. Inspect how you play from a technical point of view! What are things that are holding you back?

Technique is also a big piece of the puzzle in getting the right sounds (i.e. the sounds you want) from your drums! From your grip, posture, breathing, foot technique, etc, all these things make up how to play drums like yourself.

Tunings & equipment

We should most certainly not overlook our gear and how we tune our drums! The way our gear sounds is influenced by the shell material, cymbal quality, drum heads, sticks… Everything little piece of the puzzle adds up to create your sound.

So, what influences style?

I believe our how we play drums is largely influenced by our personality traits and how we feel. These traits and emotions are amplified and manifested through our playing. So, why not ask ourselves what each of our personality traits say about our style? Are you obsessive, non-conformist, passionate, introverted? This might be a great exercise to help you discover yourself, and therefore develop your drumming!

how to play drums idea

Wrapping it up!

So, whilst our influences do determine what and how we play, our personalities help us express these influences. Self-awareness can help us analyse, and therefore deconstruct and, subsequently should we want to, reconstruct our playing to reinforce, improve, or change our playing. The way I see it, in order to effectively do this, we need to think of the big principles of drumming (i.e. Time, Technique, Coordination, Musicality, Reading). Keep an open mind when analysing your playing!

Thanks for reading, and if you’re interested in my drum lessons, check them out here, and get in touch! While you’re at it, check out my book Concepts which was written with drumming self-expression in mind!

Originally published in May 13th, 2013 by Drummer Cafe. Read the original here.